Every society decides, at some point, what to do with its past. Which stories to preserve. Which to reframe. Which to quietly retire. That decision is never just cultural. It is always political. I work at that intersection—where heritage becomes policy, where identity becomes strategy, and where a government's investment in culture is rarely about culture alone. My work spans the Gulf, Canada, and Egypt. Three contexts where the same questions surface differently: a Saudi institution redesigning its national narrative for a global audience, an immigrant community in Calgary watching its culture become folklore, and an ancient site in Egypt absorbing a million visitors a year with no coherent story to tell them. I am most useful to journalists when the story is about what a society says...